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Thursday, 01 December 2011 17:34

"Ugly Betty" Star Michael Urie Makes Broadway Debut in HOW TO SUCCEED...

WHO TO SUCCEED?

STAGE AND “UGLY BETTY” STAR
MICHAEL URIE

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MAKES HIS BROADWAY DEBUT AS ‘BUD FRUMP’
JANUARY 24, 2012 – JULY 1, 2012
CHRISTOPHER J. HANKE PLAYS FINAL PERFORMANCE AS
‘BUD FRUMP’ SUNDAY, JANUARY 22, 2012

(New York, NY – Thursday, December 1, 2011) The producers of the 50th Anniversary production of the Tony Award and Pulitzer Prize-winning musical comedy HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYINGannounced today that star of stage and television, Michael Urie (“Ugly Betty,” The Temperamentals) will make his Broadway debut as Bud Frump, beginning Tuesday, January 24, 2012, for 6 months through Sunday, July 1, 2012.  Urie will co-star with Nick Jonas and Beau Bridges. Urie replaces Christopher J. Hanke, who will play his last performance on Sunday, January 22, 2012 alongside Darren Criss. Tickets for Urie’s engagement in HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING are now on sale.

{module ad_left_body}Michael Urie is currently starring as Yepikhodov in the Classic Stage Company’s production of Anton Chekhov's The Cherry Orchard. He also recently starred in the Signature Theatre Company’s revival of Angels in America as Prior Walter, as well as the 2009’s The Temperamentals, in which he originated the role of Rudi Gernreich and received a Lucille Lortel Award for Outstanding Lead Actor. Also in New York, Michael has worked with The Nerve Ensemble at HERE, The Foundry, HB Playwrights, and in WTC VIEW during the Fringe Festival, which went on to become a film from director/writer Brian Sloan. His regional theatre credits include Dickie and Babe at The Blank Theatre in LA, Horatio in Dan Sullivan’s Hamlet at SCR, The Old Globe, Seattle Rep, DC’s Folger Theatre, Barrington Stage, and Austin’s Hyde Park Theatre.  Michael has appeared at The Triad Theatre as Miley Cyrus, David Cassidy, Kenny Loggins, Tommy Lee and sometimes Lance Bass in the hilarious Celebrity Autobiography. With producing partner Glenn Meehan, he is co-founder of UR-MEE productions.  Michael can also be heard as the voice of Sebastian in Beverly Hills Chihuahua, and seen on ABC as Marc on Ugly Betty. He directed the documentary Thank You For Judging as well as the upcoming independent film, He’s More Famous Than You.  He received his training at Juilliard.

The 2011 Broadway cast recording of HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING was just nominated for a 2012 Grammy Award.

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING began previews on Saturday, February 26, 2011 and opened Sunday, March 27 at Broadway’s Al Hirschfeld Theatre (302 West 45th Street). Nominated for eight 2011 Tony Awards including Best Revival of a Musical, HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING is directed and choreographed by Tony and Emmy Award-winner Rob Ashford, and currently stars Daniel Radcliffe as J. Pierrepont Finch, 2011 Tony Award winner John Larroquette as J. B. Biggley, Rose Hemingway in her Broadway debut as Radcliffe’s onstage romantic interest Rosemary Pilkington, Tammy Blanchard as Hedy La Rue, Christopher J. Hanke as Bud Frump, Rob Bartlett as Twimble/Wally Womper, Mary Faber as Smitty, Ellen Harvey as Miss Jones, 2011 Emmy Award winner Michael Park as Bert Bratt, and Emmy and Peabody Award-winning journalist Anderson Cooper making his Broadway debut as the voice of the narrator, in a cast of 30.

Daniel Radcliffe and 2011 Award winner John Larroquette will conclude their run in the show on Sunday, January 1, 2012. Darren Criss, breakout star of Fox’s Emmy and Golden Globe Award-winning smash hit television show “GLEE”, will make his Broadway debut as J. Pierrepont Finch, performing a strictly limited three week engagement from Tuesday, January 3, through Sunday, January 22, 2012. Nick Jonas will succeed Criss, stepping in to the role of ‘Finch’ on Tuesday, January 24, 2012 through Sunday, July 1, 2012.  Emmy, Golden Globe and Grammy Award winner Beau Bridges will take over the role of J. B. Biggley on Tuesday, January 3, 2012, starring opposite both Criss and Jonas.

 HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING has music and lyrics by Academy Award and Tony Award winner Frank Loesser, and a book by Abe Burrows, Jack Weinstock and Willie Gilbert, based on the book by Shepherd Mead.  The creative team for HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING includes Derek McLane (Sets) Catherine Zuber (Costumes), Howell Binkley (Lighting), Jon Weston (Sound), Tom Watson (Hair), Doug Besterman (Orchestrations), and David Chase (Music Director and Arranger).  The 50th Anniversary production of HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING is produced by Broadway Across America (John Gore, Thomas B. McGrath, Beth Williams), Craig Zadan, Neil Meron, Joseph Smith, Michael McCabe, Candy Spelling, Takonkiet Viravan/Scenario Thailand, Two Left Feet Productions/PowerArts, Jen Namoff/Fakston Productions, Hilary A. Williams, HOP Theatricals, LLC/Paul Chau/Daniel Frishwasser/Michael Jackowitz, and Michael Speyer - Bernie Abrams/Jacki Barlia Florin - Adam Blanshay/Arlene Scanlan/TBS Service.

With the aid of a trusty self-help book "How to Succeed in Business" wily window washer J. Pierrepont Finch enjoys a riotous rise up the corporate ladder.  Will Finch’s unorthodox business practices at the World-Wide Wicket Company get him in hot water with the head honcho J.B. Biggley, and jeopardize his romance with secretary Rosemary Pilkington?  With a hilarious book and beloved score by Frank Loesser, HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING is packed with hit standards such as “I Believe in You,” “Happy to Keep His Dinner Warm,” “The Company Way,” “Been a Long Day,” “Rosemary,” and “Brotherhood of Man.”

Tickets for HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING range from $52 - $132, and are available at the Al Hirschfeld Theatre box office and at Telecharge.com (212-239-6200).  The playing schedule is as follows: Tuesdays and Thursdays at 7pm, Wednesdays, Fridays, and Saturday at 8pm, with matinees Wednesday and Saturday at 2pm and Sunday at 3pm.  PLEASE NOTE: Beginning January 25, Wednesday evening performances will be at 7:30pm. 

For more information please visit:

www.howtosucceedbroadway.com

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{module ad_left_body}Based on the classic Daphne du Maurier novel (and later turned into an Oscar-winning film by Alfred Hitchcock), REBECCA is the story of Maxim de Winter, his new wife (“I”) and Mrs. Danvers, the controlling and manipulative housekeeper of Maxim’s West Country estate of Manderley – where the memory of his first wife, the glamorous and mysterious Rebecca, still casts a shadow.

REBECCA features original book and lyrics by Michael Kunze, music by Sylvester Levay, English book adaptation by two-time Tony Award winner Christopher Hampton (Sunset Boulevard), English lyrics by Hampton and Kunze, and direction by Tony Award-winner Michael Blakemore (Kiss Me, Kate; City of Angeles; Noises Off) and Francesca Zambello (Little Mermaid). Multiple Tony-nominated director/choreographer Graciela Daniele (Ragtime) will create the musical staging for the show. Scenic design is by Peter J. Davidson, costumes by Jane Greenwood, lighting by Mark McCullough, sound by Peter Fitzgerald, special effects by Gregory Meeh and projections by Sven Ortel. Musical direction and supervision is by Kevin Stites.   REBECCA will be produced on Broadway by  Ben Sprecher, Louise Forlenza, The Shubert Organization, Tony Fusco, Larry Feinman, Nanda Anand and Peter Bogyo by special arrangement with/and based on the Vereinigte Buhnen Wien GmbH production.

REBECCA had its world premiere in 2006 at Vereinigte Buhnen Wien in Vienna, where it played to sold-out houses for more than three years. Vastly successful productions of REBECCA have also played Budapest, Hungary; Bucharest, Romania; Helsinki, Finland; Stuttgart, Germany; St. Gallen, Switzerland and at the Imperial Theatre in Tokyo.

Tam Mutu is appearing with the support of Actors’ Equity Association.  The producers gratefully acknowledge Actors’ Equity Association for its assistance of this production

 

REBECCA

On Line

www.rebeccathemusical.com
www.facebook.com/rebeccathemusical
www.twitter.com/rebeccamusical

BIOGRAPHIES

SIERRA BOGGESS (“I”) recently starred in London’s West End in Andrew Lloyd Webber’s Love Never Dies as Christine Daaé, a character which she also played in The Phantom of the Opera in Las Vegas. She recently reprised that role in the 25th Anniversary Concert of Phantom at London’s Royal Albert Hall. Sierra was last seen on Broadway in the MTC revival of Master Class. She also appeared on Broadway as the title character in Disney’s The Little Mermaid and in the City Center Encores! production of Music in the Air. Concert appearances: BBC Proms at Royal Albert Hall, Lincoln Center’s American Songbook Series, New York Pops at Carnegie Hall and Broadway by the Year at Town Hall. Recordings: Symphonic recording of Love Never Dies and the original cast album for The Little Mermaid.

TAM MATU (Maxim de Winter) recently received critical acclaim for his portrayal of Anatoly in Michael Harrison’s production of Chess, at the Princess of Wales Theatre in Toronto. Tam was part of the original cast of Andrew Lloyd Webber’s new musical Love Never Dies at London’s Adelphi Theatre, as the Alternate PhantomTam has taken part in many musicals but his theatrical experience also includes work with The National Theatre, The Royal Court and The Royal Shakespeare Company.   His work as a member for the National Theatre Company includes Longaville in Loves Labours Lost, the original cast of Anything Goes, South Pacific, and Royal Hunt of the Sun. He appeared in Orange Peel at the Royal Court and joined the Royal Shakespeare Company for a season where his work included Tybalt in Romeo and Juliet and Edmund in King Lear. Tam’s leading roles elsewhere include- Dinos in Dr Faustus for the Headlong Theatre Company of Oxford, the original workshop of Moonshadow, showcasing the music of Cat Stevens, and Mike in a production of East at The Leicester Haymarket Theatre. Other Professional theatre credits include, As You Like It, Romeo and Juliet and Oh What a Lovely War for Regents Park Open Air Theatre, and Les Miserables at The Palace Theatre, London.

KAREN MASON (Mrs. Danvers) most recently originated the role of The Queen of Hearts in the Broadway production of Wonderland.  She originated the role of Tanya on Broadway in Abba's Mamma Mia! and was awarded a 2002 Drama Desk nomination as Best Actress. Her other leading roles include Norma Desmond in Sunset Boulevard, which she performed to critical acclaim on Broadway and in Los Angeles for three years; Velma von Tussel in the final Broadway company of Hairspray; "Monotony" singer, Mazeppa in Jerome Robbins’ Broadway;  Rosalie in Carnival ( Drama Desk nomination) and And the World Goes Round (Outer Critics Circle Award).  Karen is a ten-time MAC Award winner and has won the MAC Award for Major Female Vocalist of the Year for six consecutive years. She has also won the 2006 Nightlife Award for Major Female Vocalist and has three Bistro Awards. Karen has headlined Carnegie Hall, The Kennedy Center, Lincoln Center, Feinstein's at The Regency, Rainbow & Stars, the Algonquin, Arci's Place, The Supper Club and The Ballroom in NYC; The Cinegrill and the UCLA/ASCAP Concert Series in Los Angeles; The Plush Room in San Francisco; and Davenport's in Chicago.  She has released several albums. (www.karenmason.com). 

JAMES BARBOUR (Jack Favell) most recently starred in the world premiere of Nightmare Alley at the Geffen Playhouse in Los Angeles.  He has also starred on Broadway in A Tale Of Two Cities (Sydney Carton) for which he was nominated for Drama Desk, Outer Critics Circle and Drama League Awards for Best Actor, Carousel (Billy Bigelow), Jane Eyre (Rochester, Drama League Award Nomination), Beauty And The Beast (Beast), Urinetown (Lockstock), Assassins (Czolgosz), and Cyrano The Musical. He was part of the original national tour of The Secret Garden and starred as Lancelot in Camelot opposite Jeremy Irons (Hollywood Bowl) and Michael York (National Tour). He co-starred in Lewis And Clark Reach The Euphrates (Mark Taper Forum), the world premiere of 20th Century (Signature Theatre) and has appeared in many other regional and Off-Broadway productions including A Tale Of Two Cities at the Asolo Theatre, for which he won the Sarasota Magazine Award for Best Actor, Back From Broadway (which he also co-produced and for which he received an LA Weekly Garland Award) and he was nominated for an LA Ovation Award for The Ghost And Mrs. Muir at the NOHO Arts Center in Los Angeles. His voice can be heard on the recordings of A Gift Of Christmas, Jane Eyre, Assassins, A Tale Of Two Cities, Broadway In Concert, The Gift and the upcoming release of Frank Wildhorn’s Dracula. (www.jamesbarbour.com)

JOHN DOSSETT (Frank Crowley) has appeared on Broadway in The Constant Wife, Democracy, Gypsy (2003 Tony, Drama Desk noms.), Dinner at Eight and Ragtime. Other credits include Newsies (Paper Mill Playhouse), First Wives Club (Old Globe), Giant (Signature), Saved (Playwrights Horizons), A Little Night Music (Kennedy Center), Dinner With Friends (Variety Arts), Hello Again (LCT). As a member of the Circle Repertory Company: Reckless, Prelude to a Kiss, Moonshot and Cosmos, Dalton’s Back, Sunshine, Empty Hearts, El Salvador, Childe Byron and The Diviners among others. TV: “Hack,” “Law & Order,” “Sex and the City,” “Gossip Girl” and “John Adams” (HBO). Film: That Night, Longtime Companion and Little Manhattan.

DONNA ENGLISH (Beatrice de Winter) has appeared on Broadway in Lend Me a Tenor and 1987.  Off-Broadway credits include Forbidden Broadway: SVU: Special Victims Unit, Taking a Chance on Love, Ruthless and Company.  Additional New York and regional production credits include Princesses, Harold and Maude, The Sound of Music, O. Henry’s Lovers and The Gig.

NICK WYMAN (Giles) has appeared on Broadway in Catch Me If You Can, A Tale of Two Cities, Dirty Rotten Scoundrels and Les Misérables.  His Off-Broadway credits include Howard Katz, Take Me Along, Three in the Back, Two in the Head, The Hunchback of Notre Dame, The Musical Comedy Murders of 1940, Kennedy of Colonus and Paris Lights. Regional stage credits include A Wonderful Life, Carnival!, Applause and Sweeney Todd.

MICHAEL KUNZE (Original Book & Lyrics) grew up in Munich, where he studied law, history and philosophy. In the late 1960s, he started to write pop songs, and soon became one of the best known songwriters of Germany. As a producer of first international acts, he hit the top of both the Billboard and Cashbox charts in the US and was the first German ever to win the coveted Grammy Award. At the top of his success, he wrote a book on the witch hunt, "Highroad to the Stake", that not only was awarded the 1981 Faculty Prize by the Munich University Law School, but also was translated into several languages. It was highly praised in a two-page review in the New York Times Book Review Supplement. Collaborating with Roman Polanski (director) and Jim Steinman (composer), Michael wrote his first English libretto and lyrics for the musical Dance of the Vampires. A German version opened in October 1997 at the Viennese Raimund Theatre to rave reviews and became an international hit. (He was not involved in the Broadway production of the musical). Michael’s next hit was Mozart! (music by Sylvester Levay; director: Harry Kupfer) a show about Mozart‘s dramatic life. In 2006 his Rebecca premiered at Vienna‘s Raimund Theatre. It became the number one musical of 2007 (97 % average attendance, best musical poll of musicals magazine). Marie Antoinette, a musical dramatizing the events of the French Revolution, had a grand opening in Tokyo‘s most prestigious Imperial Theatre on November 1, 2006. Its European production premiered in 2009 at the Bremen Musical Theatre. His hit shows Elisabeth, Dance of the Vampires, Mozart!, Rebecca and Marie Antoinette have reached an audience of more than 20 million people in many countries. The worldwide box office gross of his works has passed the $1 billion mark. As a lyricist he has created more than 200 chart songs and was honoured with a Grammy and an Echo Lifetime Award. He also wrote several books. His musicals are regarded the foundation of a new genre of the contemporary popular musical theatre, called the Drama Musical. As an adaptor, he has been connected to the success of many international shows in the German-speaking countries, among them Follies, Evita, Cats, A Chorus Line, Phantom of the Opera, Company, Little Shop of Horrors, Into the Woods, Kiss of the Spider Woman, Sunset Boulevard, The Hunchback of Notre Dame, The Lion King, Aida, Mamma Mia and Wicked. In addition to his Grammy, Michael holds an Echo Lifetime Award, 79 Gold and Platinum Records, 3 Golden Europe Awards, 2 Best Musicals Awards (Image 1996 and Image 1998), Musical Of The Year Award 2000 (Mozart!), 2001 (Elisabeth), 2003 (Dance Of The Vampires), 2007 (Rebecca). Michael is a member of GEMA, Deutsche Dramatiker Union and The Dramatists Guild, Inc. New York.

SYLVESTER LEVAY (Music & Orchestrations) was born in Maria Theresiopolis (Subotica) and is of Hungarian descent. His mother was a music teacher and his father a journalist and novelist. Sylvester studied composition, piano, and clarinet. At the age of fifteen he won his first composition competition. He left his home town in 1962 to become a professional musician, and toured for ten years through Europe as a member of different orchestras, until he settled in Munich in 1972. Working as a keyboard player, arranger, composer and a conductor in recording studios, he met Michael Kunze in the mid-seventies. Together they wrote and produced world hits like "Fly Robin Fly", "Get up and Boogie" - Silver Convention, Lady Bump - Penny McLean and various other records. For "Fly Robin Fly", Levay and Kunze received a Grammy Award. Between 1977 and 1980 he wrote and produced songs for Elton John, Donna Summer, Herbie Mann and Sister Sledge. Sylvester composed, orchestrated and conducted all his works by himself. He plays different instruments such as piano, organ, saxophone, clarinet, and flute. In the 1980s Sylvester lived in Los Angeles where he worked as a film composer for Hollywood studios. He collaborated with Michael Douglas, Charlie Sheen, George Lucas, Sylvester Stallone, Whoopie Goldberg, Peter O´Toole and Steven Spielberg. He composed music for Films such as Cobra with - Sylvester Stallone, Hot Shots - with Charlie Sheen, Burglar - with Whoopie Goldberg, Touch and Go - with Michael Keaton, Creator - with Peter O' Toole, Flashdance - with Jennifer Beals, and many more. During that time Sylvester has created the music for more than 100 American feature and television movies. He is a member of the national Academy of Recording Art & Sciences (NARAS) and the Academy of Television Art & Sciences (ATAS). He also held lectures on film composition at the American Universities UCLA and USC. Starting from the 90s Sylvester Levay dedicated himself to the world of musical theater. Together with Michael Kunze he created the musical Witches, Witches in 1991. In 1992, they presented their second musical production Elisabeth in the Viennese Theater an der Wien. Elisabeth has been performed ever since in countries such as Japan, Nederlands, Sweden, Finland, Italy, Germany, Switzerland and Hungary. By now the show has become the most successful German-language musical of all times. Kunze & Levay’s third musical Mozart! premiered in 1999. With the drama-musical Rebecca, Sylvester continued the successful collaboration with Michael Kunze. It opened in Vienna in 2006. Their latest work Marie Antoinette had its world premiere in November 2007 in Tokyo/Japan; a German production opened in early 2009.

CHRISTOPHER HAMPTON (Translation/Adaptation & English Lyrics). Christopher Hampton’s plays, musicals and translations have garnered three Tony Awards, two Olivier Awards, four Evening Standard awards and the New York Theatre Critics Circle Award while prizes for his film and television work include an Academy Award, two BAFTAs, a Writer’s Guild of America Award, the Prix Italia, a Special Jury Award at the Cannes film festival, Hollywood Screenwriter of the Year 2007 and The Collateral Award at the Venice Film Festival for Best Literary Adaptation. His plays include Embers (2006 Duke of York’s Theatre) and the following at the Royal National Theatre - The Talking Cure (2002), Alice’s Adventure’s Under Ground (1994), White Chameleon (1991) and Tales from Hollywood (1983); Les Liaisons Dangereuses which began at the R.S.C.’s Other Place in Stratford in Sept 1985 and subsequently ran at the Ambassadors Theatre for over five years; Treats (1976), Savages (1973), The Philanthropist (1970), all of which transferred from the Royal Court Theatre to the West End, where the Philanthropist ran for more than 1100 performances; Total Eclipse (1968) and When Did You Last See your Mother? (1966) also at the Royal Court Theatre, the last of which, when it transferred, made him the youngest playwright ever to have a play in the West End, a record which still stands. He has written (with Don Black) the book and lyrics for two musicals - Dracula (2004) with music by Frank Wildhorn and Sunset Boulevard (1992) with music by Andrew Lloyd Webber; and the libretto for two operas Appomattox (2007, San Francisco Opera House) and Waiting For The Barbarians (2005 Erfurt, Germany) both with music by Philip Glass. His translations include: from Chekhov, The Seagull (2007, Royal Court), Three Sisters (A.T.G, 2003) and Uncle Vanya (1970, Royal Court); from Ibsen An Enemy of the People (1997), The Wild Duck (1979), and Hedda Gabler (1970) all at the Royal National Theatre; Ghosts for the Actor’s Company (1978) and A Doll’s House (1971) with Claire Bloom on Broadway and in the West End, subsequently filmed (1973); from Odon von Horvath Tales From The Vienna Woods (1977) and Don Juan Comes Back From The War (1978) at the Royal National Theatre and Faith, Hope and Charity (1978) at the Lyric, Hammersmith; and from Yasmina Reza Life x 3 (2000) at the Royal National Theatre, Conversations After a Burial (2000) at the Almeida, The Unexpected Man (1994) at the R.S.C. and Art which opened at Wyndham’s in Oct 1996 and ran for over 2500 performances. Screenplays include: Atonement (2007), The Quiet American (2002), Mary Reilly (1996), Total Eclipse (1995), Dangerous Liaisons (1988), The Good Father (1986) and The Honorary Consul (1983). He has also written and directed three films: Imagining Argentina (2004), The Secret Agent (1996) and Carrington (1995).

MICHAEL BLAKEMORE (Director) is the only director ever to win Tony Awards for both a play, Copenhagen and a musical Kiss Me Kate in the same year. Other accolades include three Drama Desk Awards and Tony nominations for Joe Egg, Noises Off, City of Angels, Lettice and Lovage and The Life. He was recently represented on Broadway with Democracy, Deuce, Is He Dead? and Blithe Spirit. For Off-Broadway, Mr. Blakemore directed Death Defying Acts a series of one act plays written by Woody Allen, Elaine May and David Mamet. In England, he was Laurence Olivier’s associate at the National Theatre and directed him in Long Day’s Journey into Night. Mr. Blakemore’s National Theatre productions include Democracy, Copenhagen, Afterlife, Cherry Orchard and Arthur Miller’s After the Fall. His West End successes include Three Sisters, A Day in the Death of Joe Egg, The Resistible Rise of Arthur Ui, Forget Me Not Lane, Design for Living, Knuckles, Separate Tables, All my Sons, Noises Off, Benefactors, Lettice and Lovage, Uncle Vanya, The Sisters Rosenzweig and Afterlife. For the RSC, he directed Privates on Parade (also the film) and for the Welsh National Opera, he directed Tosca, a production he repeated in Adelaide and Houston. At the Royal Court, he directed Don’s Party and George Bernard Shaw’s Widowers’ Houses. He wrote and directed two films, Country Life and A Personal History of the

Australian Surf. His books include a novel, Next Season currently published by Applause Books and his recently published memoir, Arguments with England published by Faber. Mr. Blakemore is the recipient of an OBE (Order of the British Empire).

FRANCESCA ZAMBELLO (Director). General and Artistic Director of the Glimmerglass Festival. Artistic Advisor to the Kennedy Center’s Washington National Opera. Former Artistic Advisor of San Francisco Opera, where she has recently directed a new production of Wagner’s “Ring” cycle. She has staged plays and musicals on Broadway, at the Royal National Theatre, for National USA tours, BAM, the Guthrie Theater, Vienna’s Raimund Theater, the Bregenz Festival, Sydney Festival, Disneyland, Berlin’s Theater des Westens and at the Kennedy Center. Her work has been seen at the Metropolitan Opera, Teatro alla Scala, the Bolshoi, Covent Garden, the Munich Staatsoper, Paris Opera, New York City Opera, Washington National Opera, Lyric Opera of Chicago and English National Opera. She has been awarded the Chevalier des Arts et des Lettres by the French government for her contribution to French culture, and the Russian Federation’s medal for Service to Culture. Her theatrical honors include three Olivier Awards, two Evening Standard Awards, two French Grand Prix des Critiques, Helpmann Award, Green Room Award, Palme d’Or in Germany and the Golden Mask in Russia. She began her career as the Artistic Director of the Skylight Opera Theatre and as an assistant director to the late Jean-Pierre Ponnelle. She has been a guest lecturer at Harvard, Juilliard and Yale. www.francescazambello.com.

GRACIELA DANIELE (Musical Staging). Broadway as director/choreographer: Chita Rivera: The Dancer’s Life, Annie Get Your Gun, Marie Christine, Once on This Island, Chronicle of a Death Foretold and Dangerous Games; as choreographer: Ragtime (Astaire, Ovation, NAACP, Callaway Awards), The Goodbye Girl, Zorba, The Rink, The Mystery of Edwin Drood and The Pirates of Penzance(NYSF). Film: Pirates, Bullets Over Broadway, Mighty Aphrodite (1996 Fosse Award), Everyone Says I Love You (1997 Fosse Award). At LCT, where she is resident director, she directed and choreographed A New Brain, Elegies, Hello Again, Bernarda Alba, Dessa Rose and The Glorious Ones. She is the recipient of the Mr. Abbott Award (1998) for Outstanding Achievement, ten Tony nominations, six Drama Desk nominations and was inducted into the Theatre Hall of Fame in 2006.

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