Irena's Vow is a tidy little play. Therein lies its problem. The subject matter deserves much better treatment than it gets, more respectful treatment, more attentive treatment. This is the equivalent of doing "Schindler's List" as a dramedy. We only ever meet three of the 12 Jews that Irena ultimately hid in the Major's basement. The characters we meet are chosen very specifically to be included. We will not, however, learn this until a post-show talk-back with Irena Gut Opdyke's daughter, Janina Opdkye Smith. One of the two Jewish women, Ida Haller, played by Maja C. Wampuszyc, becomes pregnant only to decide to abort the baby. After much discussion Irena convinces her to not abort the baby. During parties at the house, after the baby was born they would hide it in a secret passage that leads under the floorboards of the gazebo in the yard. In her talk-back Ms. Smith tells a touching story of how this family would later learn that after being shunned by his community as a Jewish sympathizer, Major Rugemer ends up homeless and living on the street. This couple who he had begrudgingly hidden all those years ago now invited him to live with them. That child born in the basement of his house would later grow up to call the Major, grandpa. We would never have known this part of the story had the production not had this talk-back after the show.
In this instance, instead of rushing through this story in 90 minutes the author should have taken a lesson from other authors whose plays actually necessitate two or three performances to tell their story. I am by no means suggesting that the author do that, I am telling him to slow down and take his time. The story certainly could have supported it.
Tovah Feldshuh and Thomas Ryan in Irena's Vow
Ms. Feldshuh has the audience eating out of her hands almost immediately and has a good many of them crying by the end of it. Director Michael Parva directs a seamless production as we watch Ms. Feldshuh move from a 20-year old Irena to Irena in her later years. Unfortunately, with an abundance of comedic throw-away lines, sparsely drawn characters, and a contrived theatrical device as a framework this play isn't what it could or should have been.
Irena's Vow is currently playing at the Walter Kerr Theatre, 219 W. 48th St. Get tickets
In other reviews...
In the NY Times, Charles Isherwood begins his review by saying "A little-known story of heroism is transformed into theatrical hokum." He continues "Susceptible audiences will want to practice their hisses and prime their tear ducts before attending this efficiently manipulative drama..." Read the entire review
Robert Feldburg for the Bergen Record says Irena's Vow "has a powerful, inspiring story to tell. It's a real shame that the telling is so pedestrian." He calls the piece formulaic and faults the play for only revealing the surface of the story. The review headline sums it up, "Brave maid, misguided Holocaust play." Read the entire review
Michael Kuchwara for the Associated Press says that Irena's Vow "may be melodramatic and occasionally manipulative, but the emotions this stage biography stirs in theatergoers are genuine, a testament to the bravery and tenacity of the woman whose real-life story is being told." Read the entire review
For Bloomberg, John Simon raves that Irena's Vow is "a powerful true story, suspenseful dramatization and humorous leavening. The result should prove a sure-fire crowd pleaser on Broadway." He continues to say of the author and director, "Gordon has written an effective thriller, which Michael Parva has cleanly staged..." Read the entire review