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Tuesday, 18 June 2013 12:25

Tickets for Broadway's NO MAN'S LAND and WAITING FOR GODOT available July 15

TICKETS TO

IAN McKELLEN      PATRICK STEWART
BILLY CRUDUP     SHULER HENSLEY

IN

NO MAN’S LAND
BY HAROLD PINTER

WAITING FOR GODOT
BY SAMUEL BECKETT

DIRECTED BY SEAN MATHIAS

ON SALE BEGINNING MONDAY, JULY 15
TO AUDIENCE REWARDS MEMBERS

OPENING NOVEMBER 24, 2013
PREVIEWS BEGIN OCTOBER 26, 2013
AT BROADWAY’S COURT THEATRE
14 WEEKS ONLY

Tickets to the limited season repertoire of Harold Pinter’s NO MAN’S LAND and Samuel Beckett’s WAITING FOR GODOT, starring Ian McKellen, Patrick Stewart, Billy Crudup and Shuler Hensley directed by Sean Mathias go on sale beginning Monday, July 15 through Sunday, July 21 through Audience Rewards.  Tickets will go on sale to the general public starting Monday, July 22 through Telecharge at www.telecharge.com or by calling 212-239-6200.

This limited season repertoire of two of the most iconic plays of the 20th Century, Harold Pinter’s NO MAN’S LAND and Samuel Beckett’s WAITING FOR GODOT will open on Broadway at the Cort Theatre, 138 West 48th Street, this fall.  Performances will begin Saturday, October 26 at 8pm. The official opening is Sunday, November 24, 2013.  This limited season will run for 14 weeks only.

For ticket information through Audience Rewards or to create your free membership, go to:  www.audiencerewards.com.

Information on Group Sales will be announced in the coming weeks.

Prior to Broadway, NO MAN’S LAND will play a brief engagement at Berkeley Rep August 3 through 31, 2013 with McKellen, Stewart, Crudup and Hensley directed by Mathias.     

Ian McKellen won the Tony Award for his performance in Amadeus in 1981.  Patrick Stewart first appeared on Broadway in Peter Brook’s production of Shakespeare’s A Midsummer Night’s Dream in 1971 and won the Drama Desk Award for A Christmas Carol in 1992.  McKellen and Stewart have appeared together on stage twice before – in the 2009 West End production of Waiting for Godot and in the 1977 premiere of Tom Stoppard’s Every Good Boy Deserves Favour.  Billy Crudup, won a Tony Award for The Coast of Utopia in 2007.  Shuler Hensley won a Tony Award for Oklahoma! in 2002. Sean Mathias, Tony nominated for his direction of Indiscretions, directed Billy Crudup in The Elephant Man in 2002.

Ian McKellen said "British actors are used to playing in repertory, whether for the National Theatre or the Royal Shakespeare Company.  We enjoy the challenge of variety, and audiences, myself included, enjoy watching a group of actors in contrasting roles.  We hope, at least once a week, to give Broadway audiences the chance of seeing Beckett and Pinter on adjacent nights, perhaps even on the same day."

“All my acting life, I have been drawn to the principals and practice of a 'company,' and working with familiar, trusted friends/colleagues,” said Patrick Stewart, “whether in British repertory theatre, The Royal Shakespeare Company, “Star Trek” or X-Men.  It's not that strangeness/newness isn't exciting - it is - but when there is a common language and experience, then the unpredictable can happen.  So, Ian McKellen, Sean Mathias, Billy Crudup, Shuler Hensley, Stephen Brimson Lewis, Sam Beckett and Harold Pinter - it feels good.”

In Harold Pinter’s NO MAN’S LAND we wonder if two writers, Hirst (Patrick Stewart) and Spooner (Ian McKellen) really know each other, or are they performing an elaborate charade? The ambiguity - and the comedy - intensify with the arrival of two other men, Briggs (Shuler Hensley) and Foster (Billy Crudup).  Do all four inhabit a no-man's-land between the present and time remembered, between reality and fantasy?  

WAITING FOR GODOT, Samuel Beckett’s most popular play worldwide, follows two consecutive days in the lives of Vladimir (Patrick Stewart) and Estragon (Ian McKellen), who divert themselves by clowning around, joking and arguing, while waiting expectantly and unsuccessfully for the mysterious Godot.  Their waiting is interrupted by two strangers, Pozzo (Shuler Hensley) and Lucky (Billy Crudup).

Director Sean Mathias added “In WAITING FOR GODOT, two men exist in a universe that is both real and imagined – a place where time does not always advance towards a future. And as the two men wait, two outsiders enter to disrupt that universe.  In NO MAN’S LAND, two men inhabit a land that is neither here nor there - a land where time and memory play unreliable tricks. And as these two men converse, two other men who are both familiar and unfamiliar enter this same land with unnerving effect. 

“Beckett and Pinter – the idea of connecting these two giant authors by examining two of their most remarkable plays with the same company of four actors portraying the writers' eight characters is one of the most exhilarating challenges I have yet faced in my work.”

Designs for the productions will include sets and costumes by Stephen Brimson Lewis (twice Tony-nominated for Indiscretions) and lighting by Peter Kaczorowski (a Tony Award winner for Contact and The Producers).

The performance dates and schedule will be announced shortly.

Rehearsals for the unprecedented repertory will begin this July.

NO MAN’S LAND and WAITING FOR GODOT will be produced on Broadway by Stuart Thompson and NOMANGO ProductionsNOMANGO Productions is a consortium of Ian McKellen, Patrick Stewart, Sean Mathias and a group of investors.

BIOGRAPHIES:

Ian McKellen (Spooner/ Estragon) has been honoured with more than 40 international awards for his performances on screen and stage.  He was born in 1939 and raised in the industrial north of England. He started acting professionally in 1961. He has regularly been leading man for the Royal Shakespeare Company and the National Theatre of Great Britain and on the West End stage in Shakespeare and a wide range of classic and new plays. For Sean Mathias, he was Max in Bent, Uncle Vanya and an outrageous Widow Twankey in the Old Vic’s Christmas pantomime.  McKellen has often worked on stage in the USA. In New York, he won every available award for his Salieri in Peter Shaffer's Amadeus (1981). His solo show Acting Shakespeare packed theatres across the States and is now a teaching aid throughout the country. In 2001, he returned to Broadway in Dance of Death again directed by Mathias and hosted “Saturday Night Live.”  He was inducted into the American Theater Hall of Fame in 2004. Most recently, he played King Lear for the RSC at the Brooklyn Academy of Music.  McKellen has starred in more than 40 movies. In 1996, he co-produced, co-scripted and starred in his film adaptation of Richard III.  After Stephen King’s Apt Pupil, he achieved his first Oscar® nomination as film director James Whale in Gods and Monsters. He was the villain in The Da Vinci Code, the mutant Magneto in three X-Men films (with Patrick Stewart) and the wizard Gandalf, in The Lord of the Rings trilogy and again in the record-breaking Hobbit, An Unexpected Journey.  Full career details on www.mckellen.com

Patrick Stewart (Hirst/ Vladimir) most recently appeared on stage in Edward Bond's Bingo at the Young Vic and Chichester Festival Theatre; and as Shylock in a 2011 RSC production of The Merchant of Venice, directed byRupert Goold. His previous collaboration with Goold, in the title role of Macbeth, played Chichester, London, BAM and then Broadway, where he earned a Tony nomination.  Stewart is an Honorary Associate Artist with the RSC, having appeared in over 60 productions including, most recently, a 2008 production of Hamlet, opposite David Tennant; and 2005 repertory productions of Antony and Cleopatra and The Tempest. In 1978, he won an Olivier Award for his performance in Peter Brook's production of Antony and Cleopatra and was nominated for his role in The Merchant of Venice. He also appeared in the now legendary Peter Brook production of A Midsummer Night's Dream.  On Broadway and West End stages, Patrick has appeared in A Life in the Theatre, The Master Builder, The Ride Down Mt. Morgan and The Tempest. For his acclaimed solo production of A Christmas Carol, Stewart played over 40 characters, garnering an Olivier, Drama Desk and What's on Stage Award.  Perhaps best known as Captain Jean-Luc Picard of Star Trek: The Next Generation, both on television and film, and as Professor Charles Xavier from the X-Men films, Stewart has also enjoyed a successful film and television career, earning Golden Globe, Emmy and SAG Award nominations.  Screen appearances include “King of Texas,” Jeffrey, Dune, Excalibur, LA Story, Robin Hood: Men in Tights, Conspiracy Theory, “Extras”(for which he earned an Emmy nomination),“The Lion in Winter,” “I, Claudius” and Tinker Tailor Soldier Spy.  His vocal talents have been heard on “The Simpsons,” “American Dad”and “Family Guy,” and as narrator of Seth MacFarlane's hit comedy, Ted.  Stewart recently completed production on the Israeli film Hunting Elephants and the film adaptation of Stephen Belber's Match and will soon reprise his role as Professor Xavier in X-Men: Days of Future Past.

Billy Crudup (Foster/ Lucky). Broadway: Arcadia (Tony nomination); The Coast of Utopia (Outer Critics Circle nomination, Drama Desk nomination, Tony Award), The Pillowman (Tony nomination), The Elephant Man (Outer Critics Circle nomination, Tony nomination), The Three Sisters (Drama Desk nomination), Bus Stop, Arcadia (Theatre World Award, Outer Critics Circle nomination,  Clarence Derwent Award).  Off-Broadway:  The Metal Children, The Resistible Rise of Arturo Ui, Measure for Measure, Oedipus.  Film:  Rudderless, The Convincer , “Too Big to Fail,” Eat Pray Love, Watchmen, Public Enemies, Dedication, Mission Impossible III, Trust the Man, The Good Shepard, Stage Beauty, Big Fish, Almost Famous, Jesus’ Son (Best Actor, Paris Film Festival:  Independent Spirit Award nomination), Sleepers, Everyone Says I Love You, Grind, World Traveler, Charlotte Gray, Princess Mononoke, The Hi-Lo Country, Waking the Dead, Inventing the Abbotts, Without Limits (National Board of Review Award), Moment Avenue.  Education:  BA, University of North Carolina Chapel Hill; MFA, NYU.

Shuler Hensley (Briggs/ Pozzo) will be seen in the Kennedy Center’s production of The Guardsman, directed by Gregory Mosher this summer. He has previously appeared on Broadway as The Monster in Young Frankenstein (also the U.S. National Tour), Kerchak in Tarzan, Jud Fry in Oklahoma! (also at The National Theatre and London’s West End- Tony, Drama Desk, Outer Critics Circle and Olivier Awards) and Javert in Les Misérables. He has been seen Off-Broadway: Fiorello! (Encores!), The Whale (Obie and Lucille Lortel awards; Outer Critics Circle, Drama League, and Drama Desk nominations), Silence! The Musical, Sweet And Sad (Drama Desk Award for Outstanding Ensemble), That Hopey Changey Thing, The Great American Trailer Park Musical. His other credits include Ghost Brothers Of Darkland County (Alliance Theatre), All About Us (Westport Playhouse), The Phantom in The Phantom of the Opera (Hamburg, Germany), The Most Happy Fella (American Songbook/Lincoln Center). Opera appearances include Wozzeck (Curtis Institute Of Music), Regina (Kennedy Center). Shuler recently appeared in Carousel at Avery Fisher Hall with the New York Philharmonic which was nationally broadcast on PBS. Other orchestra engagements include the Philadelphia Orchestra, San Francisco Symphony Orchestra and the New World Symphony Orchestra. TV credits include: “The Americans,” “Ed,” “Deadline,” “Gary Powers,” “Law & Order: SVU,” “Criminal Intent,” “The Jury.” Film includes: After.Life, The Legend of Zorro; Van Helsing; The Bread, My Sweet; Opa! Upcoming film: Odd Thomas and Cruiser. Proud Equity member. This past year, Shuler was awarded the “Stage Performance of the Year” by New York Magazine in recognition for his work in The Whale.

Sean Mathias (Director) Mathias’s productions have received global acclaim from Northern Ireland to New Zealand. They have visited many international cities including Paris, Sydney, Cape Town, Los Angeles, New York and London and have played on various stages including the Royal National Theatre, the Music Centre Los Angeles, the Kennedy Centre Washington DC, the Sydney Opera House, the Market Theatre Johannesburg, the Oliver Tambo Hall in the township of Khayelitsha, South Africa as well as the London Fringe, the West End and Broadway.  He has directed classic plays by Anhouilh, Beckett, Chekhov, Cocteau, Coward, De Filippo, Ibsen, Shakespeare, Sophocles, Strindberg and Williams as well as works by contemporary writers Samuel Adamson, Pam Gems, Richard Greenberg, Ronald Harwood, Rebecca Lenkiewicz, Edna O’Brien, Bernard Pomerance, Martin Sherman and Stephen Sondheim.  He has won an Edinburgh Fringe First Award, a Prix de la Jeunesse at the Cannes Film Festival, a Critics’ Circle Award and an Evening Standard Award as well as nominations for the Olivier and Tony Awards. He was Artistic Director of the Theatre Royal Haymarket for 2009/2010 where his legendary production of Waiting For Godot starring Ian McKellen and Patrick Stewart smashed all box office records and the debut production of Breakfast at Tiffany’s enjoyed a sensational run.  He most recently directed Breakfast at Tiffany’s on Broadway in the Spring, 2013. He is the author of the plays Cowardice, Infidelities, A Prayer For Wings, Poor Nanny, Swansea Boys and of the screenplay The Lost Language of Cranes.  He directed the movie Bent.

Harold Pinter (October 10, 1930 – December 24, 2008) was a Nobel Prize-winning English playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party, The Homecoming, and Betrayal, each of which he adapted for the screen.  His screenplay adaptations of others' works include The Servant, The Go-Between, The French Lieutenant's Woman, The Trial, and Sleuth.  He also directed or acted in radio, stage, television, and film productions of his own and others' works.

Samuel Beckett (April 13, 1906 – December 22, 1989) An Irish avant-garde novelist, playwright, theatre director, and poet, who lived in Paris for most of his adult life and wrote in both English and French.  Beckett was awarded the Nobel Prize for literature in 1969.  His plays include Endgame, Krapp’s Last Tape, Happy Days and Act Without Words.

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