GATZ was created and developed by the Elevator Repair Service ensemble, which includes Laurena Allan (Myrtle), Frank Boyd (George), Jim Fletcher (Jim), Ross Fletcher (Henry C. Gatz), Mike Iveson (Ewing), Vin Knight (Chester),Annie McNamara (Catherine), Kate Scelsa (Lucille), Scott Shepherd (Nick), Susie Sokol (Jordan), Victoria Vazquez (Daisy), Ben Williams (Michaelis), and Gary Wilmes (Tom).
One morning in the office of a mysterious small business, an employee finds a copy of The Great Gatsby in the clutter of his desk. He starts to read it out loud and doesn’t stop. At first his coworkers hardly notice. But after a series of strange coincidences, it’s no longer clear whether he’s reading the book or the book is transforming him. GATZ is a theatrical and literary tour de force, not a retelling of the Gatsby story but an enactment of the novel itself. Over the course of a single 6 1/2 hour production, Fitzgerald’s American masterpiece is delivered word for word, startlingly brought to life by a low-rent office staff in the midst of their inscrutable business operations.
GATZ’s Associate Director is Steve Bodow and features scenic design by Louisa Thompson, costume design by Colleen Werthmann, lighting design by Mark Barton, and sound design by Ben Williams.
JOHN COLLINS (Director) founded Elevator Repair Service with his first production, Mr. Antipyrine, Fire Extinguisher. In the 20 years since, he has directed or co-directed all of the company’s shows. From 1993 to 2006 he worked for The Wooster Group as a sound designer, receiving two Drama Desk nominations and two Bessie Awards. As a lighting designer, he won a Bessie Award for his design of Elevator Repair Service’s Room Tone. John is the recipient of a 2010 Guggenheim Fellowship in Drama and Performance Art, the 2011 Lucille Lortel Award for Outstanding Director and the 2010 Elliot Norton Award for Outstanding Director for GATZ.
STEVE BODOW (Associate Director) is an ERS co-founder. Along with John Collins, Steve was Artistic Director of the Company from 1996-2004, co-directing pieces including Language Instruction, Total Fictional Lie, Cab Legs, Highway to Tomorrow, and Room Tone. Steve is Co-Executive Producer and former Head Writer for "The Daily Show with Jon Stewart," where he recently won his ninth Emmy.
LAURENA ALLAN (Myrtle) has performed extensively in downtown New York. She performed internationally as Wife in Richard Maxwell’s House and is the creator of “Laurena’s Pancake Party.”
FRANK BOYD (George) has appeared with Elevator Repair Service in The Select (The Sun Also Rises), and Shuffle. New York credits include Architecting at The Public Theater; and Particularly in the Heartland. Film & TV credits include B.U.S.T, Dogs Lie, Yakima, and “Guiding Light.”
JIM FLETCHER (Jim) performed in Elevator Repair Service’s The Sound and the Fury (April Seventh, 1928) (tour). He has performed in many Richard Maxwell productions and with the New York City Players. He also works with the English theater group Forced Entertainment. He appears in the feature film Bass Ackwards, directed by Linas Phillips, which premiered at the 2010 Sundance Film Festival.
ROSS FLETCHER (Henry C. Gatz) is a cardiologist and the Chief of Staff of Washington, D.C.’s VA Medical Center. Gatz is his first show with Elevator Repair Service.
MIKE IVESON (Ewing) previously appeared in the Elevator Repair Service productions of The Select (The Sun Also Rises), Shuffle and The Sound and the Fury (April Seventh, 1928). His other credits include Richard Maxwell’s Ode to the Man Who Kneels, Sarah Michelson’s Dover Beach, Sibyl Kempson’s Crime or Emergency, and Erin Courtney’s Black Cat Lost.
VIN KNIGHT (Chester) appeared in the Elevator Repair Service productions of The Select (The Sun Also Rises), Shuffle, The Sound and the Fury (April Seventh, 1928), and No Great Society. His other credits include The Temperamentals with Barrow Group, and over two dozen productions with the adobe theater company and performances at Clubbed Thumb, Andhow!, Soho Rep, HERE, New Georges and Theatreworks USA.
ANNIE MCNAMARA (Catherine) appeared in Elevator Repair Service’s The Sound and the Fury (April Seventh, 1928). Her recent credits in New York include A Map of Virtue, That Pretty Pretty, or, The Rape Play; The Flea and the Professor; Nurses in New England with Half Straddle; and God’s Ear.
KATE SCELSA (Lucille) appeared in Elevator Repair Service’s The Select (The Sun Also Rises), Shuffle, The Sound and the Fury (April Seventh, 1928), and Show of Shows. Her New York stage appearances include City Council; Can I Help You; Say Uncle! at the Soho Playhouse; and Light Keepers, an ongoing collaboration with puppet artist Amanda Villalobos.
SCOTT SHEPHERD (Nick) returns to The Public, where he previously appeared as Nick in GATZ and as the title role in The Wooster Group’s Hamlet. He was recently in Blood Knot at Signature Theatre and hiscredits with Elevator Repair Service include McGurk: A Cautionary Tale, Shut Up I Tell You (I Said Shut Up I Tell You), Cab Legs, Total Fictional Lie, and No Great Society. He won Bessie and OBIE awards for his performance in The Wooster Group’s Poor Theater. Other Wooster Group credits includeThe Hairy Ape, North Atlantic, To You, the Birdie! Brace Up!, The Emperor Jones, La Didone, and Vieux Carré. He appears in Hal Hartley’s film Meanwhile.
SUSIE SOKOL (Jordan) has been a member of Elevator Repair Service since 1992 and has appeared in all ERS productions since 1993. She has also collaborated with theater artists Katherine Profeta, Tina Satter and Half Straddle, and Sibyl Kempson.
VICTORIA VAZQUEZ (Daisy) has been a member of ERS since 1996 and has appeared in The Sound and the Fury (April Seventh, 1928), Total Fictional Lie, and Cab Legs. Other credits include: Richard Maxwell’s Caveman People Without History, Das Maedchen; The Voices with Forced Entertainment and Young Jean Lee’s, PULLMAN, WA.
BEN WILLIAMS (Michaelis) appeared in Elevator Repair Service’s The Select (The Sun Also Rises), Shuffle, The Sound and the Fury (April Seventh, 1928), and No Great Society. His other recent projects include Walse-Fantasie with Mikhail Baryshnikov and Julia Jarcho’s American Treasure.
GARY WILMES (Tom) recently appeared on Broadway in Chinglish. His Off-Broadway credits include Red Light Winter; Brace Up!; More Lies About Jerzy; House and Boxing 2000 with Richard Maxwell; and Bad Boy Nietzsche and Paradise Hotel with Richard Foreman. He also appeared in the National production of August: Osage County with Steppenwolf at The Sydney Theatre Company. His film and television credits include A Mighty Heart, Afterschool, Salt, "Jon Benjamin Has A Van," "Blue Bloods,” and "Nurse Jackie."
ELEVATOR REPAIR SERVICE, a theater ensemble, was founded by director John Collins and a group of actors in 1991. Since that time, ERS has built a body of highly acclaimed work and has appeared on stages in downtown New York and across the U.S. and Europe. ERS’s core artistic mission is to create original works, with a consistent ensemble, that explore and challenge the fundamentals of live performance. ERS shows are built around a broad range of subject matter including literary, dramatic and cinematic forms. They combine elements of hi-tech and lo-tech design, vaudeville, both literary and found text, found objects and discarded furniture, and the group’s own highly developed style of choreography. The company has generated a repertoire that includes 14 original full-length pieces and several short pieces and workshop productions. Their newest piece, The Select (The Sun Also Rises) had its world premiere at the Edinburgh International Festival in August 2010, its U.S. premiere at the Philadelphia Live Arts Festival in September 2010, and its New York premiere in September 2011 with an extended ten-week run at New York Theatre Workshop. Elevator Repair Service is a member of TCG and A.R.T./New York.
Since its 2006 premiere at the Kunsten Festival des Arts in Brussels, GATZ has been seen on 18 stages, including at the American Repertory Theater (Boston, 2010), Sydney Opera House (2009), Chicago’s Museum of Contemporary Art (2008), Vienna Festival (2007), The Walker Art Center (Minneapolis, 2006), and The Holland Festival (2006). Awards include Zürcher Theater Spektakel ZKB-Acknowledgement Prize (2006); Elliot Norton Awards for Outstanding Visiting Production, Outstanding Director - John Collins, and Outstanding Actor - Scott Shepherd (2010); Lortel Awards for Outstanding Alternative Theatrical Experience and an Outstanding Director Award for John Collins (2011); and an Obie Award for Scott Shepherd’s performance as Nick. GATZ also received a Drama Desk nomination for Unique Theatrical Experience; a Drama League nomination for Distinguished Production of a Play and a Distinguished Performance nomination for Scott Shepherd; Lortel nominations for Outstanding Lighting Design and Outstanding Sound design; and an Off-Broadway Alliance Award nomination for Best Theatrical Experience.
THE PUBLIC THEATER (Oskar Eustis, Artistic Director; Patrick Willingham, Executive Director) was founded by Joseph Papp in 1954 and is now one of the nation’s preeminent cultural institutions, producing new plays, musicals and productions of classics at its downtown home and at the Delacorte Theater in Central Park. The Public Theater’s mandate to create a theater for all New Yorkers continues to this day on stage and through extensive outreach programs. Each year, more than 250,000 people attend Public Theater-related productions and events at six downtown stages, including Joe’s Pub, and Shakespeare in the Park. The Public Theater’s productions have won 42 Tony Awards, 158 Obies, 42 Drama Desk Awards and four Pulitzer Prizes. Fifty-four Public Theater productions have moved to Broadway, including Sticks and Bones; That Championship Season; A Chorus Line; For Colored Girls…; The Pirates of Penzance; The Tempest; Bring in ’da Noise, Bring in ’da Funk; The Ride Down Mt. Morgan; Topdog/Underdog; Take Me Out; Caroline, or Change; Passing Strange; the revival of HAIR; Bloody Bloody Andrew Jackson and The Merchant of Venice. www.publictheater.org.
GATZ started its return engagement on Wednesday, March 14 and has been extended one final week through Sunday, May 13. Marathon performance tickets for GATZ begin at $160. Tickets are on sale now and can be purchased at (212) 967-7555, www.publictheater.org, or in person at The Public Theater box office.
GATZ is presented as a marathon theatrical event, with two intermissions and a dinner break, four times per week. Performances begin on Wednesdays, Fridays, and Saturdays at 3 p.m. and Sundays at 2 p.m. (ERS company members may alternate roles at select performances.)
The Public Theater is located at 425 Lafayette Street. For more information, visit www.publictheater.org.
The LuEsther T. Mertz Charitable Trust provides leadership support for
The Public Theater’s year-round activities.
Time Warner is the Supporting Sponsor of The Public’s 2011-2012 season.
Bank of America is the proud Season Sponsor of Shakespeare in the Park.
Major support for The Public Theater is provided by The Andrew W. Mellon Foundation, the Shubert Foundation, The Shen Family Foundation, the Harold and Mimi Steinberg Charitable Trust, Ford Foundation, the Susan Stein Shiva Foundation, the George T. Delacorte Fund at the New York Community Trust—Fund for Performances
at the Delacorte Theater in Central Park, the Horace W. Goldsmith Foundation,
and by Warren Spector and Margaret Whitton.
New York Magazine is the official print and online sponsor of The Public Theater’s 2011-2012 downtown season.
Public support is provided by the New York City Department of Cultural Affairs;
the New York State Council on the Art; and the National Endowment for the Arts.
Special thanks to Continental Airlines, the official airline of The Public Theater.
Support for Elevator Repair Service and Gatz is made possible with public funds from The New York State Council on the Arts, a state agency, and the New York City Department of Cultural Affairs in partnership with the City Council. Gatz is also supported with funds from The Andrew W. Mellon Foundation New York Theater Program, The Edward T. Cone Foundation, Foundation for Contemporary Arts, The Greenwall Foundation, The Tony Randall Theatrical Fund, The Edith Lutyens and Norman Bel Geddes Foundation, The J.P. Morgan-Chase Fund for Small Theatres, The Shubert Foundation, Off-Broadway Angels, Altria Group, Inc., and The Mental Insight Foundation.
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