Godspell is chock full of current-day pop-culture references that give this musical telling of the Book of Matthew a modern day sensibility. Goldstein and his team have worked in Occupy Wall Street, Muammar Gaddafi’s death, Heidi Klum, Donald Trump, Steve Jobs, Lindsay Lohan, and even a joke about the other dual-theatre complex tenant, Schwartz’s Wicked.
Producing this show in the round seemed like a good idea. The audience is closer and interaction with the audience is easily facilitated. What didn’t work was spreading out the band throughout the audience. Andrew Keister’s sound is a muddy mess with audience members straining to understand lyrics.
Having not seen Godspell, but knowing the music and the premise, I pretty much knew what to expect. Something tells me I would have preferred the original production over this one. The beauty part about this show is its simplicity. That simplicity seems to get amped to a fevered pitch with this production and that simplicity disappears. Schwartz rapidly wrote Godspell while in his early twenties. It stands to follow that Godspell is not nearly as substantial as his most recent endeavor, Wicked.
While this production may have enough cheese to get the Crucifixion sponsored by Kraft, it’s still a winner for family entertainment.
View production credits on IBDB.com
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